Skip to main content

Oberon reports on Jarmusch's "Only Lovers . . . "


Trailer for Jim Jarmusch's new film, "Only Lovers Left Alive"

by Linda Theil


I went to see Jim Jarmusch’s “Only Lovers Left Alive” last week at the Michigan Theater in Ann Arbor, where the film was showing in a limited USA release. Our readers may recall that Oberon reported on this film almost exactly a year ago when Jarmusch screened “Only Lovers . . .” at the 2013 Cannes Film Festival. In an interview in Cannes, Jarmusch and actor John Hurt -- who plays Christopher Marlowe in the film – expressed anti-Stratfordian views on the Shakespeare authorship question. For a video of this interview, see "Director Jim Jarmusch and actor John Hurt proclaim anti-Stratfordian views at Cannes Film Festival" dated May 30, 2013.

Jarmusch's film depicts Kit Marlowe as the true author of the Shakespeare canon, and the topic is not a sideline, as I had imagined from preliminary discussion, but is a key point of the film. In one of the film's few extended dialogues, the vampire Eve and her dear friend, fellow vampire, and sustenance provider Marlowe engage in a byplay wherein Eve tempts Marlowe to astound the world by revealing his authorship of the Shakespeare canon. "It would cause such thrilling chaos," she says.

I do not pretend to know what this very beautiful and slightly boring movie is about. Like a similarly gorgeous film, Alfonso Cuaron's "Gravity" that was released last year, the story is slight and the dialogue almost brutal in its truncated pointlessness. Yet these films are the frontline of culture and Jarmusch's inclusion of the Shakespeare authorship question documents the emerging vitality of this haunting issue that we, and others, find so compelling. 

"Only Lovers Left Alive" will be released on DVD Sept. 15, 2014.

Resources: 
http://oberonshakespearestudygroup.blogspot.com/2013/05/director-jim-jarmusch-and-actor-john.html

Popular posts from this blog

Was King Richard III a Control Freak? Science News ... from universities, journals, and other research organizations   Mar. 4, 2013 — University of Leicester psychologists believe Richard III was not a psychopath -- but he may have had control freak tendencies. University of Leicester psychologists have made an analysis of Richard III's character -- aiming to get to the man behind the bones. Professor Mark Lansdale, Head of the University's School of Psychology, and forensic psychologist Dr Julian Boon have put together a psychological analysis of Richard III based on the consensus among historians relating to Richard's experiences and actions. They found that, while there was no evidence for Shakespeare's depiction of Richard III as a psychopath, he may have had "intolerance to uncertainty syndrome" -- which may have manifested in control freak tendencies. The academics presented their findings on Saturday, March 2 at the University

What's a popp'rin' pear?

James Wheaton reported yesterday in the Jackson Citizen Patriot that the Michigan Shakespeare Festival high school tour of Romeo and Juliet was criticized for inappropriate content -- " So me take issue with sexual innuendoes in Michigan Shakespeare Festival’s High School Tour performances of ‘Romeo & Juliet’" : Western [High School] parent Rosie Crowley said she was upset when she heard students laughing about sexual content in the play afterwards. Her son didn’t attend the performance Tuesday because of another commitment, she said.  “I think the theater company should have left out any references that were rated R,” Crowley said. “I would say that I’ve read Shakespeare, and what I was told from the students, I’ve never read anything that bad.”  She said she objected to scenes that involved pelvic thrusting and breast touching and to a line in which Mercutio makes suggestive comments to Romeo after looking up the skirt of a female. The problem with cutting out the naug

Winkler lights the match

by Linda Theil When asked by an interviewer why all the experts disagree with her on the legitimacy of the Shakespeare authorship question, journalist and author Elizabeth Winkler  calmly replied, "You've asked the wrong experts." * With that simple declaration Winkler exploded the topic of Shakespearean authorship forever. Anti-Stratfordians need no smoking gun, no convincing narrative, no reason who, how, when, or why because within the works lies the unassailable argument: Shakespeare's knowledge. Ask the lawyers. Ask the psychologists. Ask the librarians. Ask the historians. Ask the dramaturges. Ask the mathematicians. Ask the Greek scholars. Ask the physicists. Ask the astronomers. Ask the courtiers. Ask the bibliophiles. Ask the Italians. Ask the French. Ask the Russians. Ask the English. Ask everyone. Current academic agreement on a bevy of Shakespearean collaborators springs from an unspoken awareness of how much assistance the Stratfordian presumptive would h